Edit ModuleShow Tags

Improve Your Marketing With This Practical Lesson From Beautiful Music

Let the song speak for itself


Published:

Not long ago, I listened to a special feature about Ella Fitzgerald on KUVO (the Denver-based 24/7 jazz station). I was struck by one particular insight into her musical style: “She let the song speak for itself.”

Fitzgerald didn’t try to lend a lot of emotion to the songs she sang. When covering other people’s songs, she didn’t try to make them an expression of her own ego, or to imbue them with new meaning; she simply sang every note beautifully.

I’m not saying Ella’s singing wasn’t unique — she had an indisputably distinctive voice. She was also innovative. Ella perfected the “scat” vocal technique, and that aspect of her singing indeed embodies her own musical persona. (Think of the improvisational sounding do dee ba, ooh be blib bidee dow! you hear in classic jazz tunes like Ella’s rendition of “How High the Moon.”) But she didn’t embellish. She sang on key, exuberant and with the rich and sweet voice she was naturally blessed with. That was more than enough.

Ella embodied class without pretentiousness, abundance without fluff and unforced individuality.

Prose, music, poetry ... marketing

In writing, a common refrain similar to “Let the song speak for itself” is “Show, don’t tell.” A musical composition needs a capable singer to deliver, but its emotional force lies in the melody and lyrics. I have no problem with musical interpretation but adding sentiment to a fully formed composition can only do harm.

Acclaimed classical pianist Arthur Rubinstein loved Chopin and understood perhaps better than anyone how to bring his music to life. His recordings of Chopin’s nocturnes and mazurkas were marked by unsurpassed skill and nuance, but not sentiment. They’re poetic and moving, yet direct.

When singers try to make songs drip with emotion, don’t you sometimes feel that they’re trying to tell you how you’re supposed to feel? It’s like painting the Statue of Liberty red, white and blue. We get it already. Allowing people to interpret things through the lens of their own experiences, tastes and values, shows respect for the intelligence of your audience. This is true in marketing as it is in music.

Vibrant language versus fluff

The failure or reluctance to use vibrant language is a common missed opportunity in business-to-business (B2B) marketing. Vibrant language is invaluable if your firm offers intangibles. It can bring un-sexy services like home energy audits, point of sale software, seed-to-sale tracking or environmental remediation to life. But there’s an important distinction between vibrant language and fluff.

Vibrant language is precise yet lively. While flowery, emotionally embroidered statements can come across as manipulative, people welcome simply stated analogies, humor and stories. (Again, that’s true even in B2B marketing.)

Good literary techniques like metaphors can make unfamiliar topics tangible and memorable.

These vividly evoke feelings, senses and memories without needing many adjectives. If you describe something really well using vivid language, you don’t need to tell people it’s “exquisite.” People will fill in the gaps for themselves, to greater effect.

Fluff is when you use flowery language, jargon and superlatives. This may reflect an effort to sound smart or manipulate opinions. Or it may be inadvertent.

Consumers are increasingly distrustful of marketing rhetoric, promises and boasts. Anytime you’re tempted to say “cutting-edge,” “innovative,” “awesome” or some other superlative, say “f%@#ing” instead. Then delete all the F-bombs before you publish. (If you forget to do this, things can get embarrassing.)

Harnessing the strength of restraint

Ella’s voice and style have often been described with words like “serene” and “unpretentious.” She is, perhaps, the most beloved vocalist in U.S. history.

“Ella can do anything to a melody except damage,” wrote L.A. Times jazz critic Leonard Feather. Without embellishing, without “telling” people how they were supposed to feel, she gave each song a force of beauty and emotion few people, if anyone, could match. Much like Rubinstein.

The next time you’re thinking about what “voice” to adopt for your marketing, think of Ella. It might prevent you from setting off people’s bullshit detectors.

Edit Module
John Garvey

John Garvey is a copywriter and marketing consultant at Garvington Creative. He helps B2B companies and social enterprises achieve greater impact and win high-value clients by ensuring that their audience understands, relates to and remembers them.You can reach John at john@garvingtoncreative.com, or learn more about his services at www.GarvingtonCreative.com.

Get more content like this: Subscribe to the magazine | Sign up for our Free e-newsletter

Edit ModuleShow Tags

Archive »Related Articles

Transforming Brick-and-Mortar Stores in the Online Era

Despite the ubiquitous impact of online shopping, brick-and-mortar stores are proving foundational to the contemporary shopping experience. Given the pervasiveness of online retailing, that resiliency may be surprising.

Governor Polis Establishes Way Forward for Colorado Hemp Industry

Last week, the American Herbal Products Association hosted the first-ever Hemp-CBD Supplement Congress in downtown Denver. The event brought together professionals from across the industry — including farmers, producers, retailers and marketers — to discuss the quickly evolving regulatory and financial landscapes around hemp and CBD.

How One Castle Rock Author Shot to the Top of the Charts With Self-Publishing

From struggling to find passion in his career to writing 13 books, Jeff Carson used self-publishing to shoot to the top of Amazon’s best-seller lists. Here, he talks about the benefits of the self-publishing, how he found success and why others should jump in.
Edit ModuleShow Tags
Edit ModuleEdit ModuleShow Tags
Edit ModuleShow Tags Edit ModuleShow Tags
Edit ModuleShow Tags Edit ModuleShow Tags
Edit ModuleShow Tags Edit ModuleShow Tags